RESEARCH

Artistic Research · Solar Time · Astronomy · Seasonal Knowledge · Cultural Perspectives

Jingmin Ren’s artistic research develops from her long-term exploration of time, light, spiritual energy and the natural world. Bringing artistic practice into dialogue with astronomy, seasonal knowledge and cultural perspectives, her current research investigates how shared celestial cycles are experienced through different hemispheres, landscapes and ways of understanding time.

At the centre of this research is Solar Longitude, an ongoing investigation into solar longitude (太阳黄经), the Twenty-Four Solar Terms (二十四节气), Southern Hemisphere seasonal translation and spatial time.

SOLAR LONGITUDE | 太阳黄经

The Same Solar Longitude. Different Seasons.

Solar Longitude is an ongoing artistic research project by Jingmin Ren (任静敏), investigating solar longitude, the Twenty-Four Solar Terms (二十四节气), Southern Hemisphere seasonal experience and the relationship between astronomical time and locally experienced seasons.

The research begins from a simple but fundamental observation: while Solar Longitude provides a shared astronomical coordinate for the Earth–Sun relationship, the same solar position is experienced through different seasons in the Northern and Southern Hemispheres.

Through artistic research, public art, painting, Chinese calligraphy, sculpture and sustained observation of nature, Ren explores how this shared celestial structure can be translated through different landscapes, seasonal conditions and cultural perspectives.

Jingmin Ren’s completed public mural Solar Longitude – Time Orbit at Bondi Sea Wall, Sydney, 2026, exploring solar longitude and the Twenty-Four Solar Terms from a Southern Hemisphere perspective.

THE SAME SOLAR LONGITUDE. DIFFERENT SEASONS.

A SOUTHERN HEMISPHERE PERSPECTIVE

Solar Longitude is a universal astronomical coordinate system from 0° to 360°, shared across the Earth. Its astronomical coordinates remain unchanged between hemispheres, while their seasonal experience differs according to hemisphere, place and observational perspective.

Because Earth’s axis is tilted by approximately 23.4°, the Northern and Southern Hemispheres experience opposing seasonal cycles. Thus, while the March Equinox at Solar Longitude 0° is associated with spring in the Northern Hemisphere, it corresponds to autumn in Australia; the September Equinox marks the Southern Hemisphere spring equinox.

Viewed from above the South Celestial Pole, the annual cycle may also be visualised clockwise, rather than in the counterclockwise orientation commonly shown from a northern celestial perspective. This change of viewpoint does not alter astronomical Solar Longitude.

Building on this distinction, Solar Longitude – Time Orbit retains the globally shared astronomical coordinate system while proposing an artistic-research framework of “Southern Hemisphere Seasonal Reading.” Within this framework, the Australian Spring Equinox (September Equinox) is designated “Seasonal 0°,” followed clockwise by Summer Solstice at Seasonal 90°, Autumn Equinox at Seasonal 180°, and Winter Solstice at Seasonal 270°.

“Seasonal 0°” does not redefine astronomical Solar Longitude 0°. It functions instead as an artistic-research coordinate for translating seasonal experience from a Southern Hemisphere perspective.

Through this approach, the research explores how the Twenty-Four Solar Terms (二十四节气) may be encountered and reinterpreted through Southern Hemisphere seasons, landscapes, ecological conditions and cultural perspectives while retaining their astronomical foundation.

The astronomical coordinate remains unchanged; its seasonal reading shifts with hemisphere, place and observational perspective.

THE TWENTY-FOUR SOLAR TERMS | 二十四节气

A SHARED SOLAR FRAMEWORK · A DIFFERENT SEASONAL EXPERIENCE

The Twenty-Four Solar Terms (二十四节气) form a traditional Chinese system of seasonal knowledge structured through the Sun’s apparent annual movement, with each term corresponding to a 15° interval of Solar Longitude.

While the astronomical positions are globally shared, the seasonal and ecological meanings historically associated with the Solar Terms developed within Northern Hemisphere environments. When encountered in Australia, the same Solar Longitudes occur within an opposite seasonal cycle and a distinct ecological landscape.

Ren’s research therefore approaches the Twenty-Four Solar Terms not as a fixed calendar to be transferred directly from one hemisphere to another, but as a solar framework that can be seasonally read through place. From a Southern Hemisphere perspective, the work investigates how the terms may enter into dialogue with Australian seasons, local landscapes and observed natural phenomena while retaining their relationship to the shared solar cycle.

The solar coordinate is shared; seasonal knowledge is experienced through place.

ARTISTIC RESEARCH THROUGH PRACTICE

OBSERVATION · SITE · MATERIAL · MAKING

For Jingmin Ren, artistic research is developed not only through written inquiry, but through observation, material experimentation, site-specific practice and making.

Painting, Chinese calligraphy, seal traditions, public art and sculpture operate as interconnected research methods through which questions of time, solar cycles, seasonal experience, place and cultural knowledge are explored.

In Solar Longitude, the physical environment is part of the research itself. The location of Bondi, its Southern Hemisphere seasonal conditions, changing light, coastal landscape and public setting inform how astronomical and cultural ideas are translated into visual and spatial experience.

This practice-led approach allows research to move between observation, concept, material, artwork and written reflection, with each form contributing to the development of the wider inquiry.

The artwork is not simply an outcome of the research; making is part of the research process.

Jingmin Ren creating Solar Longitude – Time Orbit at Bondi Sea Wall, Sydney, as part of her artistic research into solar longitude, seasonal experience and Southern Hemisphere perspectives, 2026.
Jingmin Ren examining the surface of Bondi Sea Wall during the site-specific research and development of Solar Longitude – Time Orbit, Sydney, 2026.
Laser-cut 315° Beginning of Spring marker created for Jingmin Ren’s Solar Longitude – Time Orbit, reflecting a Southern Hemisphere seasonal reading of the Twenty-Four Solar Terms, 2026.

FROM OBSERVATION TO ARTISTIC RESEARCH

LIGHT · TIME · NATURE · SOLAR OBSERVATION

Ren’s current research has developed from a long-term artistic engagement with light, time and the natural world.

Beginning in 2015, she undertook sustained observation and photography of Sydney sunrises for nearly three years. This daily practice informed her Sydney Morning series and deepened her interest in changing light, natural cycles and the experience of time.

A selection from Jingmin Ren’s long-term photographic observation of Sydney sunrises, begun in 2015, documenting changing light, atmosphere and natural cycles over time.

Sydney sunrise observations, from 2015. Photography: Jingmin Ren.

Over subsequent years, these observations expanded from light and natural cycles toward broader questions of time, nature and humanity’s relationship with the environment. In 2026, these long-standing concerns entered a more explicit artistic-research framework through Solar Longitude.

Sydney Morning Glory City (2017) by Jingmin Ren, a painting developed through her sustained observation of Sydney sunrise, light and changing atmosphere.

Sydney Morning Glory City, 2017
Emerging from Ren’s sustained observation of Sydney sunrises, the work translates changing light, atmosphere and the experience of time from photographic observation into painting.

What began with observing light gradually became an inquiry into time.

FROM INNER LIGHT TO COSMIC TIME

SPIRITUAL ENERGY · LIGHT · TIME · PERCEPTION

Alongside her sustained observation of the natural world, Ren’s artistic practice has long explored spiritual energy, light, perception and time.

Through her Spiritual Energy Art practice, particularly the Flow of Light series—including works such as Our Star and Eye of Time—light became more than a visible phenomenon. It developed into a means of exploring energy, inner perception, consciousness, time, and humanity’s relationship with the natural and cosmic world.

Over time, this inquiry expanded from inner light to natural cycles, from perception to time, and from human experience to the larger relationship between the Sun, Earth and the cosmos. These long-standing concerns now converge with Ren’s Solar Longitude research, extending her exploration of time into astronomical cycles, seasonal experience, place and cultural perspectives.

Eye of Time by Jingmin Ren, from the Flow of Light series, exploring spiritual energy, light, perception and the experience of time.

Eye of Time

Flow of Light Series · Jingmin Ren

Our Star by Jingmin Ren, from the Flow of Light series, exploring spiritual energy, light, the Sun, Earth, nature and cosmic connection.

From inner light to solar time, the inquiry into time has remained continuous.

Our Star

Flow of Light Series · Jingmin Ren

FEATURED PUBLICATION

THE SAME SOLAR LONGITUDE, DIFFERENT SEASONS

A Southern Hemisphere Interpretation of the Twenty-Four Solar Terms

Jingmin Ren · 2026

Cover of Jingmin Ren’s 2026 research publication The Same Solar Longitude, Different Seasons: A Southern Hemisphere Interpretation of the Twenty-Four Solar Terms.

This research examines Solar Longitude as a shared astronomical coordinate while investigating how seasonal experience differs between the Northern and Southern Hemispheres and across local ecological environments.

Bringing together astronomy, the Twenty-Four Solar Terms (二十四节气), cultural perspectives and artistic practice, the study develops a Southern Hemisphere reading of seasonal knowledge and introduces broader questions around seasonal-phase translation and spatial time.

The research provides the conceptual framework for Ren’s ongoing Solar Longitude artistic research and its development across public art, sculpture and interdisciplinary practice.

VERSION 2 · REVISED AND EXPANDED
DOI: 10.5281/zenodo.22018896

READ THE PUBLICATION →

PUBLICATIONS & RESEARCH OUTPUTS

RESEARCH · PUBLICATION · ARTISTIC PRACTICE

Ren’s research is developed through interconnected forms of written publication, artistic practice and ongoing interdisciplinary inquiry.

2026 — VERSION 2

The Same Solar Longitude, Different Seasons
A Southern Hemisphere Interpretation of the Twenty-Four Solar Terms

Version 2 · Revised and Expanded

An expanded development of Ren’s research into Solar Longitude, Southern Hemisphere seasonal translation, the Twenty-Four Solar Terms and spatial time.

DOI: 10.5281/zenodo.22018896

VIEW PUBLICATION →

2026 — VERSION 1

The Same Solar Longitude, Different Seasons
A Southern Hemisphere Interpretation of the Twenty-Four Solar Terms

Version 1

The first published version establishing the project’s initial research framework and Southern Hemisphere perspective.

Concept DOI: 10.5281/zenodo.20628684

VIEW VERSION HISTORY →

RESEARCHER IDENTITY

ORCID

Jingmin Ren | 任静敏
ORCID: 0009-0003-6620-7514

VIEW ORCID PROFILE →

RESEARCHGATE
Jingmin Ren | 任静敏
Artist–Researcher · Independent Researcher
VIEW RESEARCHGATE PROFILE →

ONGOING RESEARCH

FROM SOLAR TIME TO SPATIAL TIME

Ren’s ongoing research continues to investigate relationships among solar longitude, seasonal knowledge, spatial time, cultural perspectives and lived experience, extending these questions through public art, sculpture and interdisciplinary artistic research.

Current developments explore how astronomical time may be translated into material, spatial and embodied forms, expanding Solar Longitude beyond the mural into new sculptural and research-based works.

From observing time to giving time spatial form.